As head of the Camera Notes publication committee, Stieglitz issued a limited edition of 150 portfolios in the fall of 1899 to "exemplify the most characteristic examples of the work of those Americans whose names are best known to the club or whose influence has been most pronounced on the development of pictorial photography in America.” Additional works were to be added to the portfolio over time so that ultimately the complete series would be the most “representative collection of pictures ever published, and should be in the hand of every serious student of pictorial photography, not alone as a record of representative American work, but because of the exceptional opportunity afforded by it of perfecting one’s own work through the careful, conscientious study of that or others.” The portfolio, American Pictorial Photography, featured eighteen photogravures printed on Indian paper (including Stieglitz’s Reflections Venice and Early Morn), along with a title page and table of contents printed in red and black on Japanese paper, all enclosed within green cloth covers stamped in gold with the seal of the Camera Club. The name of the subscriber and the number of the copy printed on the reverse of the title page, and each copy was counter-signed by Stieglitz. Arranged, engraved, and printed by the Photochrome Engraving Company, the photogravures were “so remarkably executed as to deceive the eye into the belief that they are original platinum and carbon prints and not merely reproductions therefrom. The engravers have every reason to feel proud of their work, which has attracted great attention wherever shown, and which deserves to be ranked with, if not as, the best work of the kind ever done in this country.” Greenough.
National Gallery of Art Accession Number 2002.120.34
MoMA Object number 116.1944.8
Greenough, Sarah, and Alfred Stieglitz. Alfred Stieglitz: The Key Set : the Alfred Stieglitz Collection of Photographs. Washington, D.C: National Gallery of Art; New York: Harry N. Abrams, 2002 p. 938