Virginia Wolf’s mother Julia Jackson was photographer Julia Margaret Cameron’s niece, and among Cameron’s loveliest subject.
This portfolio contains sixteen hand-pulled dust-grain photogravures of rare masterpieces from Britain’s greatest photographers, published in association with the Victoria and Albert Museum and the Philadelphia Museum of Art. The portfolio features important works by nineteenth-century masters of the medium such as Julia Margaret Cameron, Frederick H. Evans, Lady Hawarden, David Octavius Hill and Robert Adamson, Oscar G. Rejlander, Henry Peach Robinson, William Henry Fox Talbot, and Benjamin Brecknell Turner. Wherever possible, the plates have been made from the photographer’s original negatives, many of which were unavailable until production of this portfolio. Each image is printed on 100 percent cotton rag, mold-made papers, with inks created especially for this project. The renderings have been accomplished in close collaboration with the Keeper of the Victoria and Albert Museum Collection, thus assuring fidelity to the original. The portfolio is accompanied by an introductory text by Mark Haworth-Booth, Curator of Photographs at the Victoria and Albert Museum.
Malcolm R. Daniel, and Florian Rodari. Graver La Lumière: L’héliogravure D’alfred Stieglitz À Nos Jours Ou La Reconquête D’un Instrument Perdu. Vevey, Suisse: Fondation William Cuendet & Atelier de Saint-Prex, 2002. p. 20
Cox, Julian, Colin Ford, Joanne Lukitsh, and Philippa Wright. Julia Margaret Cameron: The Complete Photographs. London: Thames & Hudson in association with the J. Paul Getty Museum, Los Angeles and the National Museum of Photography, Film & Televison, Bradford, 2003. no. 311.