Mark Twain - The Art of the Photogravure

Collection
- Highlights
  Not sure where to begin? Start by exploring a selection of the collection’s highlights.
- Advanced Search
  Browse the collection or find something specific. The catalog contains thousands of images covering the full history of the process.
- Quick Search
Resources
- Process
  Breakdown the complicated process of creating a photogravure.
- Key Figures
  Learn more about the famous and not-so-famous photographers and scientists that have played a significant role in the discovery and evolution of the art.
- Timeline
  Explore an interactive timeline of the history of photography and photomechanical printing.
- Identification Guide
  Learn about the identifying characteristics of hand-pulled photogravures.
- Additional Resources
About
- The Story of Photogravure
  Overwhelmed? Put photogravure’s significance into context with this historical overview.
- Mission
  Why did we create this site?
- Credits and Site Usage Information
- Contact

- Collection
- Search the Collection
- Highlights
- Resources
- Process
- Key Figures
- Timeline
- Texts
- Secondary Figures
- Glossary
- Bibliography
- Conservation
- Links
- About
- The Story of Photogravure
- Mission
- Credits and Site Usage Information
- Contact
- For additional search options, try an advanced search. Not sure where to start? Explore the Collection Highlights.
- Artist
  
  Portfolio
  
  Keyword

Previous Back To Search Results Next

Mark Twain Coburn, Alvin Langdon (American, 1882-1966)

Title
Mark Twain
Artist
Coburn, Alvin Langdon (American, 1882-1966)Key Figure
Publication
Mark Twain
Date
1911
Process
Halftone (four color)
Image Size
9 x 7 cm

Coburn and Archibald Henderson visited Mark Twain’s new home "Stormfield," in Redding, Connecticut, on December 21, 1908. Coburn, who had photographed Twain in New York in March 1905, made thirty to forty exposures, including autochromes. Henderson’s subsequent biography, Mark Twain, is illustrated with eight Coburn black-and-white images and two autochromes and retailed for five shillings. [1]

Reproduced / Exhibited

Foster, Sheila J, Manfred Heiting, and Rachel Stuhlman. Imagining Paradise: The Richard and Ronay Menschel Library at George Eastman House, Rochester. Göttingen: Steidl, 2007 p. 223

Harker, Margaret F. The Linked Ring: The Secession Movement in Photography in Britain, 1892-1910. London: Heinemann, 1979. pl c. 5 (autochrome)

References

[1] Foster, Sheila J, Manfred Heiting, and Rachel Stuhlman. Imagining Paradise: The Richard and Ronay Menschel Library at George Eastman House, Rochester. Göttingen: Steidl, 2007 p. 223