The first book claiming to be illustrated with lithographs based on the new art of photography. (Newhall Origins P. 83) Early attempt to capitalize on the hype surrounding the new invention of photography consisting entirely of lithographs in which the work of the artist was emphasized and the picturesque character of the views was given a strong prominence making their derivation from daguerreotypes seem rather suspect and doubtful. 60 lithographs, showing scenes in Paris and Versailles. Each plate is entitled "Paris Daguerreotype," with the location and name of the lithographer given below. All the journals and illustrations published under the direction of Charles Philipon appealed to the lower and middle classes. Originally a political satirist, Philipon later turned to social commentary. In touch with his time, he knew that photography would seriously impair his business of publishing periodicals illustrated by lithography. The title "Paris Daguerreotype," was probably an attempt to capitalize on the public interest and excitement engendered by the new medium, although he never actually made use of it. It is not uncommon to find the term "daguerreotype" used in political satire of the period as a parody on veracity. Newhall, Image Magazine, 1962
Howe, Kathleen S. Intersections: Lithography, Photography, and the Traditions of Printmaking. Albuquerque: University of New Mexico Press, 1998. p.5.
Bonetti, Maria Francesca ‘Daguerreian Pictures. From Silver To Paper’, Rome Daguerreotype Journal, June 2014