“Tireless and fastidious in his work,” Evans’ soul intent was to propel viewers through his luminous, looking-glass prints into feeling as if they were actually inside Wells Cathedral. [1]
Newhall, Beaumont. Photography, Essays & Images: Illustrated Readings in the History of Photography. New York: Museum of Modern Art, 1980. p. 181
[1] Newhall, Beaumont. Photography, Essays & Images: Illustrated Readings in the History of Photography. New York: Museum of Modern Art, 1980 p. 181