"The aim of the editor in the preparation of this special number has been to bring together examples of the best work done in recent years by the leading photographic artist in Europe and America; and a special effort has been made has been made to ensure that the reproductions shall retain as much as possible of the quality of the original prints"
Although The Studio claimed to compare to Stieglitz’s Camera Work in its design and quality of reproduction, it fails in comparison. That said there are a couple small photogravure prints of note – namely Maternal Love by Clarence White and Evening Lake Como by Gatti Oasazza.
Dawm, Patrick, Francis Ribemont, and Philip Prodger. Impressionist Camera: Pictorial Photography in Europe, 1888-1918. London: Merrell Holberton, 2006. fig. 102