To highlight the virtues of the Kodak’s roll film cameras, George Davison persuaded several of his photographic friends to try out the new models so that their results could be used for advertising or promotion. Among those taking part in this scheme were Paul Martin, Eustace Calland, J. Craig Annan and, notably, Frank M. Sutcliffe, whose great enthusiasm led him to try out virtually every new Kodak camera until 1906. (Weaver p. 232)
From the introduction… This edition de luxe of 14 photographs by eminent photographers is a souvenir of the Eastman Photographic Exhibition, held at the New Gallery, Regent Street, London, from 27th October to 16th November, 1897. It is aimed chiefly to exemplify some of the pictorial applications of the Kodak and film photography. The pictures, without exception, are Kodak film pictures, and the assortment is specially arranged to illustrated a few of the various classes of subjects which can all be effectively exploited by Kodak photography.
Landscape, seascape, architectural pictures, portraiture pure and simple done at home, portrait head and shoulders, portraiture of three-quarter figure, portraiture of the whole figure with drawing-room surroundings, will be found pictorially exemplified in this little volume. We wish to express our hearty thanks to the eminent photographers who have kindly lent us their film negatives, from which the fine reproductions have been made by Mr. J. Craig Annan, of Messrs. Annan & Sons.
The photogravures are small pictorial gems by some of the leading photographers of the day.
“Child Portrait” by Mr. J. Craig Annan. There is no more delightful occupation for the Kodaker than to photograph a charming child. The self-consciousness which so often spoils an otherwise capital model of more mature years is entirely absent, and the operator has full scope to exercise his skill in reproducing some of the childish graces of his dainty subject. The present picture was taken with a No. 4 Cartridge Kodak, and cut down to its present dimensions.
Weaver M. British Photography in the Nineteenth Century : The Fine Art Tradition. Cambridge: Cambridge University Press; 198 (Coe, Brian George Davison: Impressionist and Anarchist.)