U.S./Canadian artist Allan Macintyre pushes the boundaries of underwater photography using large-format cameras encased in custom-built housings. This image, captured on a single dive, merges multiple exposures onto one sheet of film—an unpredictable, process-driven method shaped by both environment and chance.

Here, layered silhouettes of tiger, lemon, and reef sharks move in and out of alignment, evoking the density and dynamism of marine life. Macintyre often fuses both positive and negative images from different dives, constructing hybrid compositions that reflect the interwoven nature of ocean ecosystems. His work draws on the experimental legacy of German photographer Heinz Hajek-Halke, whose early 20th-century photomontages similarly explored form, movement, and visual contradiction. The result is a striking visual narrative—scientific, surreal, and immersive.