Reproduced / Exhibited

Davis, Keith F. An American Century of Photography: From Dry Plate to Digital. Kansas City, Mo: Hallmark Cards, 1999. Print. p. 113

Gernsheim, Helmut. Creative Photography. Aesthetic Trends 1839-1960. [with Illustrations.]. London: Faber & Faber, 1962. p. 161

Gillespie, Sarah K. Vernacular Modernism: The Photography of Doris Ulmann, Athens, Georgia :
Georgia Museum of Art, University of Georgia, 2018. pl. 4

Homer, William I. Alfred Stieglitz and the American Avant-Guarde. Boston: New York Graphic Society, 1979. no. 121.

Jammes, André, De Nieìpce AÌ Stieglitz: La Photographie En Taille-Douce : [exposition], 19 Novembre 1982-20 Feìvrier 1983, Museìe De L’elyseìe, Lausanne. Lausanne: Le Museìe, 1982 no. 76f

Marien, Mary W. Photography: A Cultural History. Englewood Cliffs, NJ: SunSoft Press, 2002. fig. 4.43.

Oliphant, Dave, and Thomas Zigal. Perspectives on Photography: Essays on the Work of Du Camp, Dancer, Robinson, Stieglitz, Strand & Smithers at the Humanities Research Center. Austin: Humanities Research Center, The University of Texas at Austin, 1982.p. 119

Roth, Andrew, and Richard Benson. The Book of 101 Books. New York: 2001 p. 42
Thornton, Gene. Masters of the Camera: Stieglitz, Steichen & Their Successors. New York: Ridge Press, 1976 p. 60

Stange, Maren, Robert Adams, and Alan Trachtenberg. Paul Strand: Essays on His Life and Work. New York: Aperture, 1990. no. 8.