Ernest Ashton, 1897
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Ernest Ashton, 1897
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Bibliography

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Aubenas, Sylvie. Alphonse Poitevin (1819-1882): Photographe Et Inventeur : La Naissance Des Procédés De Reproduction Photographique Et De La Photographie Inaltérable. S.l.: s.n., 1988. Print.

Aubenas, Sylvie, and Michel Poivert. D’encre Et De Charbon: Le Concours Photographique Du Duc De Luynes 1856-1867. Paris: Bibliothèque Nationale de France, 1994. Print “Catalogue detailing the de Luynes Prize and the entrants and judges. Catalogue of the 43 images in the show, both entrants for the first part of the prize, photographic stability, and the second for photomechanical printing. 11 half-tone illustrations from examples in the show. Poitevin, Blanquart-Evrard, Violin, Nègre, Pretsch, de Lafollye, Garnier et Salmon, Pouncy, Mante (Niépce de St. Victor), Berchtold, Placet, Asser, Lemercier.”— Hanson Collection notes.

Bann, Stephen. Parallel Lines: Printmakers, Painters, and Photographers in    Nineteenth-Century France. New Haven: Yale University Press, 2001.

Belden-Adams, Kris. Photography and Failure: One Medium’s Entanglement with Flops, Underdogs and Disappointments. , 2017. Print Discussion of Duc de Luynes competition.

Blaney, Henry R. Photogravure. Scovill’s Photographic Series [no. 51]. New York: Scovill, 1895. Print.

Borcoman, James, and Charles Nègre. Charles Nègre. Ottawa: National Gallery of Canada for the National Museums of Canada, 1976.

Buchanan, William. Annan, James Craig (1864-1946), Photographer. Oxford: Oxford University Press, 2004. Print.

Buchanan, William. The Art of the Photographer J. Craig Annan, 1864-1946: [exhibition, Scottish National Gallery of Modern Art, Edinburgh, 14 August to 11 October 1992]. Edinburgh: National galleries of Scotland, 1992. Print

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Chandler, Charles F. Photo-mechanical Processes: Prepared for the Exhibition of Pictures by Modern Mechanical Photographic Processes, Held by the New York Camera Club, November, 1890. New York, 1890.

Coe, Brian, and Mark Haworth-Booth. A Guide to Early Photographic Processes. London: Victoria & Albert Museum, 1983.

Crawford, William. The Keepers of Light – A History and Working Guide to Early Photographic Processes. Dobbs Ferry, NY: Morgan and Morgan, 1979. Print.

Des Arts Graphiques Destinés À Multiplier Par L’impression, Considérés Sous Le Double Point De Vue Historique Et Pratique / Par J.-M.-Herman Hammann. J. Cherbuliez Genève, 1857.

DiNoto, Andrea, and David Winter. The Pressed Plant. New York: Stewart, Tabori & Chang, 2000. Print.

Doty, Robert M. Photo-Secession, Stieglitz and the Fine-Art Movement. New York: George Eastman House, 1960. Print.

Eder, Josef Maria and Edward Epstean. History of Photography. New York: Columbia University Press, 1945. Print.

Emerson, P H. Naturalistic Photography for Students of the Art. New York: E. & F. Spon, 1889. Print.

Fielding, T. H. The Art of Engraving with the Various Modes of Operation Under the Following Divisions: Etching, Soft-Ground Etching, Line Engraving, Chalk and Stipple, Aquatint, Mezzotint, Lithography, Wood Engraving, Medallic Engraving, Electrography, and Photography. London: Ackermann & Co., 1841. Print

Foliot, Philippe. “Louis Vignes and Henry Sauvaire, Photographers on the Expeditions of the Duc De Luynes.” History of Photography. 14.3 (1990): 233-250. Print.

Foster, Sheila, Manfred Heiting, Rachel Stuhlman, and George Eastman House. Imagining Paradise: The Richard and Ronay Menschel Library at George Eastman House, Rochester. Göttingen: Steidl, 2007. Print.

Frizot, Michel. A New History of Photography. Koln: Konemann, 1998.

Gassan, Arnold. Handbook for Contemporary Photography. 4th ed. Rochester, New York: Light Impressions, 1977. Print.

Coburn, Alvin L, Helmut Gernsheim, and Alison Gernsheim. Alvin Laugdon Coburn Photographer: An Autobiography. New York: Dover Publications, 1978. Print.

Gascoigne, Bamber. How to Identify Prints: A Complete Guide to Manual and Mechanical Processes from Woodcut to Ink Jet. London: Thames and Hudson, 1986. Print.

Gray, Richard T. About Face: German Physiognomic Thought from Lavater to Auschwitz. Detroit, Mich: Wayne State University Press, 2004

Gernsheim, Helmut. Incunabula of British Photographic Literature: A Bibliography of British Photographic Literature 1839-75 and British Books Illustrated with Original Photographs. London: Scolar Press in association with Derby Lonsdale College of Higher Education, 1984. Print 1300 entries arranged by bibliographical type-photographically illustrated books, journals, etc. Indexes to photographers, authors, and artists. Annotations describe publication history of items, not content. Based in part on the Gernsheim Collection at the University of Texas

 Gernsheim Helmut, and Alison Gernsheim. L.j.m. Daguerre: The History of the Diorama and the Daguerreotype. New York: Dover Publications, 1968.

Greenough, Sarah, and Alfred Stieglitz. Alfred Stieglitz: The Key Set : the Alfred Stieglitz Collection of Photographs. Washington, D.C: National Gallery of Art; New York: Harry N. Abrams, 2002. Print.

Hammond, Anne Keley. “Aesthetic Aspects of the Photomechanical Print.” Ed. Mike Weaver. British Photography in the Nineteenth Century: The Fine Art Tradition. Cambridge: Cambridge University Press, 1989. 163-180. Print.

Hannavy, John. Fox Talbot: An Illustrated Life of William Henry Fox Talbot, ‘Father of Modern Photography,’ 1800-1877. Princes Risborough: Shire, 1997. Print.

Hammann, J.-M.-Herman. Des Arts Graphiques Destinés a Multiplier Par L’impression: Considérés Sous Le Double Point De Vue Historique Et Pratique. Genève [etc.: JoëlCherbuliez, 1857.

Hanson, David A, and Sidney Tillim. Photographs in Ink: May 1-29, 1996. Teaneck, New Jersey: University College Art Gallery, Fairleigh Dickinson University, 1996. Print.

Harker, Margaret F. The Linked Ring: The Secession Movement in Photography in Britain, 1892 – 1910. London: Heinemann, 1979. Print.

Harker, Margaret F. Victorian and Edwardian Photographs. London: Charles Letts and Co., 1975. Print.

Haworth-Booth, Mark. The Golden Age of British Photography, 1839-1900. Millerton, N.Y: Aperture, 1984. Print.

Horgan’s half-tone and photomechanical processes / by Stephen H. Horgan Chicago : Inland Printer Co., c1913

Hunt, Robert. A Popular Treatise on the Art of Photography, Including Daguerrèotype, and All the New Methods of Producing Pictures by the Chemical Agency of Light: Illustrated by Engravings. Glasgow: Richard Griffin and Company, 1841.

Goldschmidt, Lucien and Weston J. Naef. The Truthful Lens: A survey of the Photographically Illustrated Book, 1844-1914. New York: Grolier Club, 1980. Print.

Green, Jonathan. Camera Work: A Critical Anthology. Millerton, N.Y: Aperture, 1973. Print.

Hannavy, John. Encyclopedia of Nineteenth-Century Photography. New York, N.Y: Routledge, 2008. Print.

Hambourg, Maria M, and John P. O’Neill. The Waking Dream: Photography’s First Century; Selections from the Gilman Paper Company Collection; New York: Abrams, 1993. Print.

Homer, William Innes. Alfred Stieglitz and the Photo-Secession. Boston: Little, Brown and Company, 1983. Print.

Huson, T. 1897. Photo-Aquatint and Photogravure. London: Dawbarn & Ward.

Ivins, William M. “Photography and the “modern” Point of View: a Speculation in the History of Taste.” Metropolitan Museum Studies. 1.1 (1928): 16-24.

Kelsey, Robin E. Photography and the Art of Chance. Cambridge, Massachusetts: The Belknap Press of Harvard University Press, 2015. Print.

Kicken, Annette, Rudolf Kicken, and Georg Kargl. Pictorialism: Hidden Modernism: Photography 1896-1916. Vienna: Georg Kargl Fine Arts, 2008. Print.

Kraft, James N. “An Historical and Practical Investigation of Photogravure.” M.F.A. Thesis. University of New Mexico, 1969. Print.

Koehler, S R. Catalogue of the Contributions of the Section of Graphic Arts of the Ohio Valley Centennial Exposition, Cincinnati, 1888. Washington: Smithsonian Inst., 1888

Koehler, S R. Exhibition Illustrating the Technical Methods of the Reproductive Arts from the Xv. Century to the Present Time, with Special Reference to the Photomechanical Processes: Jan. 8 to March 6, 1892. Boston: Museum (of Fine Arts), 1892. Print.

Lewis, Jacob W. Charles Negre in Pursuit of the Photographic. , 2012. Print.

Lambrechts, Eric, and Luc Salu. Photography and Literature: An International Bibliography of Monographs. London: Mansell, 1992. Print.

Maddox, Amanda, Sara Stevenson, and Thomas Annan. Thomas Annan: Photographer of Glasgow. , 2017. Print.

Marbot , Bernard  Gravure et photographie : les débuts des procédés photomécaniques (1827-1857) Commissaire :  Lieu d’expo : BNF Dates : 4 juin – 13 août 1982; 51 pièces exposées. Photographes exposés : Joseph-Nicéphore Niepce, Armand Hippolyte Louis Fizeau, Joseph Lemercier, Niepce de Saint-Victor, Pierre Trémaux, Louis-Alphonse Poitevin, Charles Nègre, Edouard-Denis Baldus. Publication : Dossier BN (6 p.)  link

Nadeau, Luis. Encyclopedia of Printing, Photographic, and Photomechanical Processes: A Comprehensive Reference To Reproduction Technologies, Containing Invaluable Information on Over 1500 Processes. Fredericton, N.B., Canada: Atelier L. Nadeau, 1997. Print.

Naef, Weston. The Collection of Alfred Stieglitz – Fifty Pioneers of Modern Photography. New York: Viking Press, 1978. Print.Margolis, Marianne Fulton. Alfred Stieglitz Camera Work – A Pictorial Guide. New York: Dover Publications, 1978. Print.

Newhall, Beaumont. The History of Photography. New York: Museum of Modern Art, 1982. Print.

Newhall, Nancy W. P. H. Emerson: The Fight for Photography As a Fine Art. New York: Aperture, Inc, 1975. Print.

Nickel, Douglas R, and Carleton Watkins. Carleton Watkins: The Art of Perception. San Francisco: Museum of Modern Art, 1999. Print.

Oliphant, Dave, and Thomas Zigal. Perspectives on Photography: Essays on the Work of Du Camp, Dancer, Robinson, Stieglitz, Strand & Smithers at the Humanities Research Center. Austin: Humanities Research Center, University of Texas at Austin, 1982.

Ostroff, Eugene. “Etching, Engraving & Photography: History of Photomechanical Reproduction.” The Journal of Photographic Science. London Vol. 17 (1969): 65-80. Print..

Peterson, Christian A. Alfred Stieglitz’s Camera Notes. Minneapolis: Minneapolis Institute of Arts, 1993. Print.

Pohlmann, Ulrich. Frank Eugene: The Dream of Beauty. Munich: Nazraeli Press, 1995. Print.

Prodger, Phillip. Impressionist Camera: Pictorial Photography in Europe, 1888-1918. London: Merrell, 2006. Print.

Roberts, Pamela, and Alfred Stieglitz. Alfred Stieglitz: Camera Works, the Complete Illustrations 1903-1917. Koln: Taschen, 1997. Print.

Roberts, Pamela. Camera Work: L’opera Fotografica Di Stieglitz, Steichen E Strand Tra Europa E America. Firenze: Alinari, 2009. Print.

Roosens, Laurent, and Luc Salu. History of Photography: A Bibliography of Books. London: Mansell, 1989. Print.

Rosenblum, Naomi. A World History of Photography.  3rd ed. New York: Abbeville Press, 1997. Print.

Rosenblum, Naomi. A History of Women Photographers. 2nd ed; updated and expanded. New York: Abbeville Press, 2000. Print.

Sandweiss, Martha. Photography in Nineteenth-Century America. Texas: Amon Carter Museum; New York: Harry N. Abrams Inc., 1991. Print.

Schaaf, Larry J, and Talbot. Sun Pictures, Talbot and Photogravure: Text by Larry Schaaf, Catalogue Twelve, the Exhibition Will Be on View at Hans P. Krauss, Jr., Inc. October 9 – November 21, 2003. New York: Hans P. Kraus, Jr., Inc, 2003

Stange, Maren, and Robert Adams. Paul Strand: Essays on His Life and Work. New York: Aperture, 1990. Print

Steel, David. “Karel Klič and Thomas Annan in Vienna.” History of Photography. 27.2 (2003): 166-171. Print.

Turner, Peter and Richard Wood. P. H. Emerson: Photographer of Norfolk. London: Gordon Fraser, 1974. Print.

Thomas, David B. The Science Museum Photography Collection: [a Catalogue]. London: Her Majesty’s Stationery Office, 1969

Wakeman, Geoffrey. Victorian Book Illustration: The Technical Revolution. Newton Abbot: David & Charles, 1973. Print.

Wakeman, Geoffrey. XIX Century Illustration: Some Methods Used in English Books. Loughborough Leics.: The Plough Press, 1970.

Waldo, Frank, Lawis Mumford, Dorothy Norman, and Paul Rosenfeld. America and Alfred Stieglitz. New York: The Literary Guild, 1934. Print.

Weaver, Mike. Alvin Langdon Coburn: Symbolist Photographer, 1882-1966. New York: Aperture Foundation, 1986. Print

Weaver, Mike. British Photography in the Nineteenth Century: The Fine Art Tradition. Cambridge: Cambridge University Press, 1989

Whelan, Richard. Alfred Stieglitz: A Biography. Boston: Little, Brown, 1995. Print.

Wilkes, Andrew. “Jon Goodman.” Aperture 133. Fall (1993): 64 – 73. Print.

Wilson, J., Photography and the Printed Page in the Nineteenth Century (2001).

Witkin, Lee D. and Barbara London. The Photograph Collector’s Guide. Boston: New York Graphics Society, 1979. Print.

Wright, Helena E. “Photography in the Printing Press: The Photomechanical Revolution.” Presenting Pictures / Ed. by Bernard Finn. Ass. Ed.: Robert Bud. (2004): 21-42. Print.

Yochelson, Bonnie and Kathleen Erwin. Pictorialism into Modernism: The Clarence H. White School of Photography. New York: Rizzoli International Publications, 1996. Print.